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Takamine Guitar: Review and opinions of the best Takamine guitars on the market.

Beginner Level

Takamine-GD11MCENS-2-200x200
Takamine GD11MCE-NS

Intermediate Level

Takamine-P3DC-200
Takamine P3DC

Advanced Level

Takamine-P7DC-200
Takamine P7DC

Which Takamine guitar to buy? Comparison of Takamine guitars for beginners, intermediate and advanced level.

The Takamine guitar brand is one of the few that have made a difference in the world of music. It has made its way into the acoustic and electro-acoustic guitar market thanks to an identity based on quality of construction and sound, but also on innovation.

The success of the Takamine guitar is due to the commitment to satisfy the most demanding guitarists. It is true that there are many other brands that are very good, but from our point of view Takamine offers the best value for money.

Although the catalog of this brand is not extensive, if you are not familiar with Takamine guitars it can be difficult to choose the proposal that suits you best. The reviews in this comparison are intended to help you select the best Takamine on the market today based on its features, sound quality and price/performance ratio. Ready?

Takamine guitar history

In the late 1950s, Takamine was just a modest guitar store at the foot of Mount Takamine in Sakashida, Japan, run by a Japanese family. It was in 1962 when the company was officially founded and thanks to its dedication to the manufacture of both acoustic and classical guitars, new locations were opened in Nakatsugawa and its musical instruments began to be distributed all over the world.

However, it was not all good news for the company. By 1980 she was sued by the Martin guitar company because their models were very similar. Fortunately, this lawsuit was unsuccessful and progress has continued “full steam ahead” to the present day.

Takamine guitar types

Takamine does not have a great variety of models, since they are basically acoustic guitars with nylon and metal strings, as well as electro-acoustic, classical and electro-classical guitars. The main difference between these is obviously whether or not they have a built-in preamplifier. However, it is possible to find other differences in the body that result in varied sounds:

  • Dreadnought: originally a shape developed by the Martin guitar company. The Takamine acoustic guitar is a standard size body with cutaway, while the measurement is usually 53 cm long, 10 cm deep, 29 cm at the top and 39 cm at the bottom.
  • Jumbo: a guitar size popularized by the Taylor company. It is 51 cm long, 10 cm deep, 28 cm at the top and 49 cm at the bottom of the guitar.
  • NEX: a Takamine creation that gives the impression of having a small body. Its measurements are: 51 cm long, 11 cm deep, 28.5 cm at the top and 40 cm at the bottom of the lid.
  • FXC: one of the smallest guitars from this manufacturer. It is a patented design whose measurements are: 48.5 cm long, 10 cm deep, 28 cm at the top and 37.5 cm at the bottom of the lid.
  • OM: the Orchestra Model is characterized by a dynamic response in the sound frequencies. Its measurements are: 49.5 cm long, 11 cm deep, 28 cm at the top and 39 cm at the bottom of the lid.

Difference between low, mid and high end Takamine guitars.

The guitars of this Japanese brand are not differentiated by the quality of construction or woods, as they maintain strict controls throughout the process. But they do differ in how exotic these woods are and in the value placed on them in the market. They are identified with the series:

Timbers

  • G10 and G15: Laminated spruce, laminated mahogany, solid ovangkol.
  • G20: Solid cedar, laminated mahogany and ovangkol.
  • G30: Solid spruce, solid fir, laminated mahogany and solid ovangkol.
  • G50, GN 51 and GD 51: Solid spruce , laminated black walnut, laminated mahogany, solid laurel, solid rosewood, solid maple.
  • G70, GD71, GJ72, GN71, GN75, GN77: Solid spruce, laminated black walnut, laminated mahogany, solid laurel, solid maple, laminated and solid flame maple, solid Hawaiian koa, laminated quilted maple.
  • G90, GD90, GN93, GY93: Solid spruce, laminated mahogany, laminated ziricote, solid maple, solid ovangkol, laminated black walnut, solid laurel.

There is also the Pro, Thinline and Signature range where all the woods are totally solid and incorporate more exotic woods. However, the A, AA, AAA, AAA and AAA+ ratings of timber are not used as a guide in the company, only the solid or laminate ratings.

Preamplifier

This is another difference in Takamine guitars, because each one has a preamp that suits its price. Some of these are:

  • TLD 2: For cheaper guitars. It consists of a basic circuit generally preconfigured and the Palathetic pickup, although it has three bands in case the musician wishes to change something.
  • CT4-DX: A preamplifier for the mid-range. It consists of four equalization bands, a volume master, a frequency master knob, a feedback reducer and dual channel with two microphones to independently adjust the neck and bridge. It also has a digital chromatic tuner.
  • CTA-B and BII: For the low end but with some mid-range performance. It has three frequency bands, a volume master, pitch knob to increase the frequency and a digital tuner. The difference between the B and the BII is that the B is single and the BII has a dual audio input and output.

Tuning keys

The fittings in the intermediate ranges are precision chrome-plated. On the other hand, in the high range, they are specialized in high precision, gold-plated with knobs in expensive material and some have a locking device to guarantee tuning for a longer period of time.

Takamine Guitarists

  • Jon Bon Jovi: Musician, composer and record producer, known for being the singer and leader of the group Bon Jovi. His recognition is such that he is a member of the Songwriters Hall of Fame.
  • Blake Sheldon: The prestigious and undisputed modern leader of American country music. Since 2001, he has not stopped reaping success and is currently the star of this musical genre, with several gold albums and multiple first places in the song charts in the United States.
  • Bruce Springsteen: It is impossible not to know who Bruce Springsteen is, best known for his work with the E Street Band and considered one of rock’s most popular and prolific artists.
  • Hozier: Andrew Hozier-Byrne is an Irish musician and singer-songwriter whose fame is relatively new, dating back to 2014 and 2015, when he was recognized for his smash hit “Take Me to Church”. This artist deserves to be heard for his versatility and musical sincerity.
  • Bruno Mars: Skilled singer, choreographer and composer who currently produces his music and projects multiple young artists.
  • John Scofield: One of the most outstanding jazz guitarists who has collaborated with artists such as Miles Davis, Jaco Pastorius, Phil Lesh, Billy Cobham, Medeski Martin & Wood, Dennis Chambers, George Duke, among others.
  • Paul Jackson Jr: Great American composer, arranger, producer and guitarist of fusion and urban jazz. He has worked with artists such as Michael Jackson and many, many more.

The best Takamine guitars for beginners:

  1. Takamine G Series GD11MCE-NS
  2. Takamine G Series GD30CE-N
  3. Takamine G Series GJ72CE-NAT

The best Takamine guitars for intermediate guitarists:

  1. Takamine EF341SC
  2. Takamine P3DC
  3. Takamine EF360GF Glenn Frey

The Best Takamine Guitars For Advanced Guitarists:

  1. Takamine P7DC

The best guitars for beginner guitarists

Takamine G Series GD11MCE-NS

Takamine GD11
Pros

Solid, warm sound with good depth.

Cons

Its resistance is not the best.

Technical Characteristics:

Wood: laminated mahogany.

  • Scale: 64.8 cm.
  • Preamplifier: Takamine TP4T.
  • Sound: with greater presence of low and medium frequencies.
  • Weight: 2 .27 kg.

One of the cheapest guitars of the brand, although that does not imply that it has a lower quality. Instead, it enjoys great popularity because it provides a rich, nuanced sound with great volume and a great feel.

Timber:

The Takamine G series GD11MCENS is one of the company’s least expensive guitars. Its low price responds to the fact that the body wood is laminated and also to the fact that it uses only one type of wood for the top, sides, back and neck.

It is mahogany, which has a density of 600 kg/cm3. This means that it is a semi-heavy or semi-soft wood and is relatively easy to cut and work with. Its bending strength is 850 kg/cm2 so it loses its shape when subjected to higher pressure.

However, its compressive strength of almost 500 kg. All this means that the hardness of this wood is medium and, consequently, the guitar requires great care. As for the fingerboard and bridge, they are made of ovangkol wood, which has an apparent density of over 800 kg/cm3, while the elasticity exceeds 100,000 kg/cm2.

This is important because the fretboard is a part of the guitar that not only needs hardness to prevent wear from fingering, but elasticity/vibration to produce good overtones. And ovangkol provides both in good measure.

Design:

This guitar has a dreadnought body, the most common shape in acoustic guitars. It also has standard measurements, although it has a cutaway that is not common in guitars of this type.

The mahogany it uses comes from South America, so the color is more reddish and the designers have given it a natural finish, without lacquer or polyurethane. The latter is not so good, as mahogany is semi-hard and, having no additional protective covering, is more susceptible to scratches and dents.

On the other hand, the internal bars have radially cut ‘X’ reinforcements, known by the company as quartersawn. The purpose of these reinforcements is to provide greater strength to the structure to compensate for the mahogany.

It features 20 medium frets with chrome hardware and standard Takamine tuning keys. In addition, this Takamine electro-acoustic guitar uses a TP4T series preamp.

Ergonomics:

The scale is 648 mm from the neck nut to the bridge and has a 3 mm string height at the 12th fret. Likewise, the width of the nut on the neck is 43 mm and the overall dimensions of the body are: 53 cm long, 10 cm deep, 31 cm at the top, 41 cm at the bottom and a total weight of 2.27 kg.

All of the above measurements make this guitar one of the best balances in terms of weight and feel. The plucking of the strings from fret 1 to 5 is very smooth and for the fingers of beginner players this is great news. From the 6th fret onwards everything improves, which makes the tapping technique much easier.

Also, this pitch ratio makes forced harmonics performed with tapping very easy to achieve. In addition, other techniques such as the slap do not require greater strength and you can execute them comfortably.

Sound:

Thanks to the mahogany wood, the whole body has a tendency towards low and mid frequencies. For this reason the sound is a bit dark, although not opaque, because it has a great sustain that has been very well received by users.

The reverb is also very good and is largely due to its standard size. So, generally speaking, you can feel that the sound of this guitar is round and warm.

The preamplifier it uses has a three-band equalizer (bass, mid and bright). It also has a master potentiometer for volume and a built-in digital tuner.

The system is powered by a 9 V battery and has an output of 450 mV. The equalization control has a range of 60 Hz +-9 dB in the bass, 600 Hz +- 10 dB in the mids and 10 kHz +- 11 dB for brightness.

These features make the sound reproduction through the microphone one of the most faithful on the market. In fact, there is very little difference in the sound color when switched on or off.

Finally, it has Daddario strings, series EXP16 012-053. But at culturasonora we recommend 010 strings, preferably from Elixir, because they have a better response and more flexibility, which will give more harmonics and will facilitate the execution of many interesting techniques.

Conclusion:

The Takamine G Series GD11MCENS guitar is a balanced instrument, with a warm sound and loud volume. At the same time, it presents a well-crafted design, with a good finish and a feel that few on the market have.

For this reason we recommend it for all beginner guitarists who wish to buy an inexpensive guitar but with a higher quality than what the invoice reflects. Find the best Takamine G Series at thomann.

G Series GD30CE-N

Takamine GD30
Pros

The top is solid spruce.

Cons

The strings it comes with do not contribute to the sound.

Technical Characteristics:

  • Wood: solid spruce, laminated mahogany, solid ovangkol.
  • Scale: 64.3 cm.
  • Preamplifier: Takamine TP4 – TD.
  • Sound: balanced, with good transition from bass to treble.
  • Weight: 3.18 kg.

The Takamine G Series GD30CE is on a higher level than the G10 series guitars and stands out in several aspects. The woods are better, but also the amplification has a higher gain response, in addition to other features you will learn about below.

Timber:

The sides, back and neck are made of mahogany, a good choice that offers durability and elasticity. The fingerboard and bridge are made of ovangkol wood, a cheaper option compared to rosewood or rosewood. However, it has the same hardness, better aesthetic appearance and, although it provides less acoustic capabilities, its overtone response is the same as that of Indian rosewood.

As for the soundboard , it is made of solid spruce. This wood has a lower density than mahogany but its elasticity is superior. This makes it a very sonorous wood, vibrant but without detracting from its resistance.

Design:

This Takamine electro-acoustic guitar is a dreadnought type, so it is an instrument with a traditional shape but with cutaway. Inside, the support bars have ‘X’ bracing that features the radial quartersawn cutaway that adds strength to the body.

All the hardware is chrome-plated and has twenty medium-sized frets. The tuning keys are the standard precision keys manufactured by the same company. The bridge saddle or capo is double, a resource widely used by Takamine to improve the response of the G string that usually gives some tuning problems in any kind of brand and ranges.

The finish of this Takamine G Series guitar is natural, so you can appreciate the natural color of the woods. In addition, it has a glossy cover that not only looks great, but helps protect the instrument.

Finally, it comes with an original Daddario EXP16 series string, but we always recommend 010 strings and preferably Elixir strings for this kind of guitars. The 010 strings provide better ergonomics and expand the harmonic possibilities.

Ergonomics:

The Takamine G Series GD30CE has a scale of 64.3 cm which is slightly shorter than the typical 64.8 cm. However, this reduction makes a difference because the strings are less taut and the touch is more comfortable than on other guitars. Regarding the nut, it has a width of 43 mm, so the neck is quite thin and comfortable to hold.

The comfort of the mast makes the displacement more gentle and dynamic through it. The same applies to the execution of some techniques such as bending, since they do not require much strength to stretch the ropes. Achieving the overtones with tapping is also an easy task: by simply hammering the strings, the overtones jump like Cirque du Soleil trapeze artists.

Now, the weight of this Takamine acoustic guitar is heavier than the cheaper series. It weighs a total of 3.18 kg and this is due to the solid spruce top. But this must be the case because the materials used are of better quality and more resistant.

Sound:

At first, this guitar gives the impression of having a tense, rigid sound. However, this is due to the factory strings, but everything changes completely when using the 010 Elixir strings that we recommend. With these strings, the sound is rich in sustain and with explosive gain. But it is also round, with a lot of warmth and beautiful harmonics.

If you play phrases on the first five frets, the sound will have a good reverb but as you look for frets six through 20 the reverb is huge. The strumming is a blast because the sustain seems to have an intense padding effect, while the forced or tapped harmonics project quite well.

This Takamine electro-acoustic guitar comes with an upgraded version of the TP-4T preamp: the TP4TD. It has the same frequency response as the TP4T (60 Hz range +-9 dB in the bass, 600 Hz +- 10 dB in the mids and 10 kHz +- 11 dB for brightness). It also uses a 9 V battery and has an output of 450 mV.

But the difference lies in the double signal that the TP4TD generates. That is, it is a humbucker type microphone and not a single as in the previous version. With this change, the sound response is much more stable, with greater presence and more powerful because everything is multiplied by two.

Conclusion:

This is a great musical instrument because it has mid-range features at the price of a low/mid-range guitar. The sound is very good and can be used for fingerstyle in the style of Andy Mckee, Tobias Rauscher and Alexandr Misko.

We recommend it for beginners and intermediate players who wish to experiment and get into the world of the guitar. Takamine G Series Price? Find the best prices at thomann.

G Series GJ72CE-NAT

Takamine GJ72
Pros

It looks beautiful and the sound is fantastic.

Cons

The spruce used is not the best. Touch can be difficult for beginners.

Technical Characteristics:

  • Wood: solid spruce, figured maple, laurel.
  • Scale: 64.4 cm.
  • Preamplifier: Takamine TP-40D.
  • Sound: powerful and with a giant sustain.
  • Weight: 4.1 kg.

The Takamine G Series GJ72CE-NAT is one of the best-selling guitars from this manufacturer. It has features that make it look as if it were high-end although it is not. Its sound is great and we love it for its power, aesthetics and many other things that we will describe for you in this review.

Timber:

It has a solid spruce top with uneven lines, unlike the spruce used on the Takamine GD30CE-N. Generally these irregularities are not good, but in this guitar they give a good result thanks to the other woods used. In addition, the strength, bending and elasticity characteristics of this spruce are still good: you can be sure of its hardness and acoustic capacity.

The sides and back are figured maple with the same irregularities as the spruce of the top. The lines are wavy, like sea waves, but have proven to have a unique and good acoustic capability.

The neck is made of maple, a wood that provides a vibration far superior to ovangkol, but at the expense of hardness. However, the laurel wood fingerboard compensates for the lower resistance of maple and also has beautiful binding details.

The bridge is also made of laurel. Although the Takamine guitar maker does not say what type of laurel, we presume, based on its color and shape of the weave, that it iscordia alliodora. This wood has a similar strength to nazarene wood known as purpleheart, which is one of the densest and hardest woods in the world.

Design:

This is a Takamine jumbo-sized electro-acoustic guitar in the purest American style. Like its other companions on this list, it has a cutaway that makes it easier to access the last frets. It also uses Takamine’s patented quartersawn radial cut ‘X’ bracing for improved strength.

It has 21 jumbo-sized, chrome-plated, alpaca frets. The tuning keys are gold-plated with white knobs, a rosette and abalone inlays. This material is the shell of oysters and therefore provides a better acoustic response as it is a bony material. Finally, this guitar has a natural finish with a glossy top that reveals all the beauty of the woods.

Ergonomics:

The Takamine G Series J72CE-NAT is a large guitar and also heavy, at 4.1 kg in total. The body is 51 cm long, 10 cm deep, 28 cm at the top and 49 cm at the bottom.

This may be a jumbo guitar, but Takamine designers like to play with scales: this one is 64.4 cm, 0.4 mm less than standard. This small difference does produce a change in the force required to play, so the sound of this guitar is hard, strong and accentuates the high frequencies.

On the other hand, the touch is quite stiff: both chords and phrases require the touch of an experienced musician so as not to be uncomfortable. If you are a beginner, everything will be solved in a few days, but you must invest some hours in daily practice. However, if you change the strings to 010 Elixir, everything will be easier.

Sound:

This guitar is powerful and has great sustain. But it also has a punch characteristic of blues and country. The arpeggios are of the western type and it has an air of Johnny Cash’s song “Hurt”, a strong but melancholic sound. However, she is explosive and dynamic enough to play Tony Rice-style bluegrass.

The preamplifier system is the TK-40D series that uses a 9 V battery, has a dual microphone and a 200 mV output. It also has five frequency bands represented by three faders for bass, midrange and brightness, and two switches for midrange.

The equalization possibilities are very wide and you can experiment until you find the sound you like best. This preamplifier incorporates a chromatic tuner with a frequency range of C1 to 32,703Hz and B7 to 3951.07Hz, with an error percentage of 0.01%.

Conclusion:

This is one of those few guitars that offers more capability than the euros on the invoice would seem to reflect, and that’s why we love it. Its construction is solid, sturdy and the aesthetic details are beautiful with gold-plated hardware and very precise tuning keys.

Takamine guitars reviews? Its sound is the cherry on the cake and that is why we recommend it for all levels of learning, as it is perfectly suited for all types of musicians. Find the best Takamine G Series at thomann.

The best guitars for intermediate guitarists

Takamine EF341SC

Takamine EF341
Pros

Deep, compact sound with impressive reverb. Great feel.

Cons

It’s not that versatile, its sound is too country.

Technical Characteristics:

  • Wood: solid cedar, laminated maple, rosewood.
  • Scale: 64.4 cm.
  • Preamplifier: Takamine CT4B.
  • Sound: excellent.
  • Weight: 4 .3 kg.

The Takamine EF341SC guitar has the characteristics of a high-end guitar, with a near-perfect sound. Moreover, its price is quite affordable, despite its impressive features and sound quality.

Timber:

The top of this Takamine electro-acoustic guitar is solid cedar, our favorite wood for tops. This wood has a density similar to spruce, but with a lower bending of 470 kg/cm2 and an elasticity of 91 kg/cm2.

This difference in flexion and elasticity makes it more sensitive to vibrations, so its sound response is greater. In this sense, cedar responds in a balanced way to low, medium and high frequencies, so the variation in the nuances are the responsibility of the guitarist and his technique.

The sides and back are made of laminated maple, which has a slightly higher density than cedar and vibrates less. However, it has a greater tendency towards the middle frequencies. That is why we use mixed tension strings, such as Daddario EXL120BT Balanced Tension Super Light (09-40).

The fingerboard and bridge are made of rosewood, the most typical wood and in many cases the most recommended for parts. Although we prefer purpleheart for the fingerboard and bridge.

Design:

The body design is of the dreadnought type with approximate measurements of 53 cm long, 10 cm deep, 29 cm at the top and 39 cm at the bottom. However, the cutaway at the top must be considered and subtracted.

This is a Signature “Bruce Springsteen” model that seeks to emulate the characteristics and sound of this great musician who is not in vain known as “The Boss”. Aesthetically, it has inlays in ‘snowflake’ points made of mother-of-pearl. The hardware is chrome-plated, with high-precision tuning keys and twenty medium-sized frets.

The preamp system is from the Takamine CT4B series of guitars, withbuilt-in chromatic tuner and allows the frequency range to be adjusted to be other than 440Hz. It also has a mute option so you can tune without having to unplug the guitar during your live sessions.

Finally, the guitar comes in black color with high gloss finish and D’addario EXP16 stringing. It includes a hard case to make sure your purchase is secure.

Ergonomics:

It has a scale of 64.4 cm, as in the jumbo guitar described above. But in this case it is a dreadnought, albeit a bit heavy at 4.3 kg. The string height is 3.8 mm in relation to the 12th fret and this gives it a better feel, being almost imperceptible when in the hands of a professional guitarist.

This guitar has an impressive feel and is ideal for folk, bluegrass, country and classic blues. You will find that the bendings feel like silk. You can perform fast blues & rock riffs as well as jazz lines and the comfort of the strings will remain excellent. Likewise with tapping and forced harmonics, they all feel great.

Sound:

Takamine EF341SC guitars have a very pure sound. They are characterized by an excellent presence of low frequencies, so emulating the sound of Johnny Cash and bluegrass will not be a problem. Although the style that best suits them would be southern neo-country, such as Alan Jackson, among others.

The strumming is powerful and has an impressive warmth, there is a lot of feeling and passion in the sound of this guitar. But its versatility is such that you can do the most explosive bluegrass riffs and it fits right in. Phrases on any of the frets have a rounded sustain and techniques such as bending and tapping feel excellent.

Being a Takamine electro-acoustic guitar, it has a CT4B II preamp. It is configured to offer three equalization bands ranging from 0 to -5 dB and 0 to +5 dB. In this way it is possible to get the maximum natural and acoustic sound out of this instrument.

In addition, it has a master volume control and a built-in chromatic tuner, as well as a mute switch so you can tune without interrupting the band.

Conclusion:

This is one of the best Takamine guitars, because it has everything to be excellent. Their sound is wonderful and you can be the next cowboy in the band, with a personal, serious, round and powerful sound. Therefore, we recommend it for anyone looking for the purest southern country sound. Interested? Find the best prices for thomann at this link.

Takamine P3DC

Takamine P3DC
Pros

Excellent woods, stable sound and luxury finishes.

Cons

It is heavy and the feel is somewhat hard. The sound lacks harmonics.

Technical Characteristics:

  • Wood: solid cedar, sapele, mahogany, rosewood.
  • Scale: 64.4.
  • Preamp: Takamine CT4B II Preamp.
  • Sound: bright, not very powerful but solid.
  • Weight: 4 .7 kg.

The Takamine P3DC electroacoustic guitar belongs to the mid-range, although its finishes are high-end. The sound does justice to the aesthetics, because it is round and firm. Find out what makes it sound so modern.

Timber:

Solid cedar is Takamine’s choice for the top of this guitar. This is the wood that we like the most because it provides a stable sound in all frequencies, as it does not present tendencies towards bass, mids and brightness. We must recognize that it is one of the most flexible woods, but sometimes the sound quality requires certain sacrifices.

The sides and back are made of sapele, a wood considered hard because of its density of almost 700 kg/cm3. Its elasticity is 120,000 kg/cm3 and its compressive strength is 600 kg/cm3. This only indicates that it is very resistant and low vibration.

The headstock and fingerboard are made of rosewood, the most common wood for these parts. The neck is made of mahogany, which provides stability, although to the detriment of the harmonics. For the time being, we can say that this guitar is resistant and acoustically stable, although with few vibrations.

Design:

These Takamine guitars have a dreadnought body with cutaway, so their approximate measurements are: 53 cm long, 10 cm deep, 29 cm at the top and 39 cm at the back. This is the most common standard for acoustic guitars.

The hardware is gold-colored on the deluxe Takamine-type tuning keys, while the 21 frets are nickel-plated. Some interesting aesthetic details are the dot-like inlays and the built-in bone nut.

It has a matte finish in natural color. It also includes a hard case and a Daddario EXP16 string, which again we recommend replacing with a 010 gauge.

Ergonomics:

With a weight of 4.7 kg, it is considered a heavy guitar. This is due to the density of its woods, so the sound capacity is somewhat reduced and many may not like it. The scale is 64.4 cm and the string height in relation to the 12th fret is 4 mm, which implies a certain hardness. This is because it is a guitar conceived for folk and modern bluegrass.

In any of the frets, the touch is not the one we like the most, although it is very much to the liking of guitarists who are looking for a bright and powerful sound. Techniques such as bending have a certain hardness and tapping harmonics are not the easiest to do. For this reason we classify it as a medicinal guitar for those who have certain deficiencies in the more complex fingerstyle techniques.

Sound:

What we like most about these Takamine guitars is the volume and the strident gain that their strumming gives off. Pieces like Guitar Boogie go great with this instrument. You can emulate the sound of Tommy Emmanuel and only technical mastery can stop you.

The presence of bright sounds is predominant, although it has an excellent sonorous transition between the bass and middle strings. Likewise, if you are looking for the highest notes, the passage between the basses and the treble notes is very gentle and pleasant.

One detail that hurts us is the lack of harmonics. We love them and this guitar lacks that rain that the harmonics leave in the air. Now, guitarists looking for the more modern folk and blues style will love this guitar for the aggressive punch it packs.

As far as the preamplifier is concerned, this is the Takamine CT4B II series. Its characteristics extract the pure and clear sound of the acoustic guitar and transmit it as faithfully as possible. The EQ faders allow you to play with the nuances and obtain richer sounds. However, you will have the limitations of the harmonics that will depend entirely on the mastery you have over them.

Conclusion:

This guitar is for professionals who are looking for a powerful and bright sound, but who also have a great technical mastery. The Takamine P3DC will demand from the player a high control over the sonic expressions, and this is expected because it is a guitar that works as a transition to the high-end.

If modern, bright sound and technical demand are your thing, then Takamine created the perfect guitar for you. Interested? Find the best prices for thomann at this link.

EF360GF Glenn Frey

Takamine EF360
Pros

The woods are of very high quality. Good feel.

Cons

It is not the best sounding configuration of woods and preamp.

Technical Characteristics:

  • Wood: solid spruce, solid rosewood, mahogany.
  • Scale: 64.4.
  • Preamplifier: Takamine with CT4B II preamp.
  • Sound: Not funny.
  • Weight: 4.8 kg.

The EF360GF Glenn Frey is an expensive and bland sounding Signature guitar. This is due to the configuration of its woods, which do not add to it, but rather detract from its sonority. But let’s see what’s going on with this guitar and where it’s going wrong.

Timber:

The solid spruce top is a good choice, although it is not the one we appreciate the most. This wood is stronger than maple and cedar, but does not have the balance we look for in culturasonora.

The neck is made of mahogany, a wood that could provide some presence in the bass. But come on! It is located on the neck and there is not much it can do for the sonority of the instrument.

As for the rest of the body, i.e. the sides, back, fingerboard and bridge, they are made of rosewood. This is a mistake, as rosewood is one of the hardest woods in existence and therefore its sound capacity is low.

All this means that we are dealing with a very resistant guitar, but with very little nuance and sonorous capacity.

Design:

These Takamine guitars belong to the Artist series and were created under the indications of Glenn Frey (we already know why we don’t like him!). The body is dreadnought type and measures approximately 53 cm long, 10 cm deep, 28 cm at the top and 40 cm at the bottom.

Some aesthetic aspects that defend these Takamine guitars are the MOP Dot inlays and the concentric ring rosette. Also the natural color is nice and shows the beauty of the wood.

However, the decision of the Takamine CT4B II preamplifier is not the right one. This preamplifier can be very good, but if the wood does not provide rich sonic nuances, there is nothing to do. Finally, it is appreciated that manufacturers include a hard case to protect your instrument.

Ergonomics:

As well as the aesthetics of this guitar, the ergonomics also do the same. Yes, it is a heavy guitar, because it has almost five kilos of wood. But the scale is ideal: 64.4 cm and 3.9 mm high in relation to the 12th fret and the E bass string, and 3.8 mm between the E treble string and the 12th fret.

We like the touch because it does not require much strength in the chords and the same happens with the phrases. For the first seven frets the arpeggios are gentle, comfortable and from the 8th fret everything improves. It is equally smooth in bendings, the most commonly used technique on the acoustic guitar. Tapping is just as comfortable and is the most valued technique in fingerstyle.

Sound:

It has a good volume but the sustain is as normal as a guitar can be. The same goes for the reverb, which should be gigantic for a guitar in this price range, but instead is very poor.

The harmonics are the big absentees. The sound is dry both in the phrases and in the strumming, it is much poorer in the bendings and the tapping is embarrassing.

Nevertheless, the amplifier is excellent and references to it attest to that. But in this proposal it doesn’t help, it makes everything worse. This preamplifier only brings out the natural sound of the woods, which we have already said is not very good.

Now, you will find multiple positive reviews and five-star ratings from buyers. Just consider this: that the buyers are overwhelmingly British, and that’s the sound they love.

But we Spaniards love the sonority, the overflowing vibrations, the enveloping harmonics and rich nuances in the guitar, because that’s how we shaped it. None of these things this guitar has.

Conclusion:

This is a guitar with beautiful aesthetics and a feel of the highest level. But it is unnecessary, with a completely wrong selection of woods. So we recommend it only if you like that dry, harmonic-free sound that the Brits seem to love. Find the best prices for thomann at this link.

The best guitars for advanced guitarists

Takamine P7DC

Takamine P7DC
Pros

Good sound and excellent woods.

Cons

It is expensive and somewhat heavy.

Technical Characteristics:

  • Wood: solid spruce, rosewood, mahogany, ebony.
  • Scale: 64.4 cm.
  • Preamplifier: Takamine CTP-3.
  • Sound: powerful, clear, beautiful.
  • Weight: 4.6 kg.

This Takamine guitar is a clear example of how woods should be chosen and combined with the preamp. In it we find a selection similar to the EF360GF Glenn Frey, which we have just reviewed. But with this proposal we are delighted, as few changes have made a huge difference. Let’s see what it’s all about.

Timber:

As in the previous guitar, the Takamine T – P7DC has a solid spruce top, a very resistant wood with a good quality sound capacity. The sides and back are also made of rosewood, which we don’t like very much, but thanks to the other woods in this proposal, it works very well.

The neck is mahogany, as on the Takamine EF360GF Glenn Frey. However, the fingerboard is made of ebony, a much more sonorous wood than rosewood. This difference may seem minimal, but the truth is that it changes the sound capability quite a bit.

Design:

This Takamine electroacoustic guitar is from the Pro series and has a dreadnought body, with a cutaway that is characteristic in the guitars of this Japanese house. It has 21 jumbo-sized frets made of stainless steel. The tuning keys are from the Pro Takamine series in gold color.

Some aesthetic aspects that are appreciated are the snowflake-shaped inlays, made of oyster abalone. We also find a 45 mm wide bone capo that does a great job. In addition, the guitar has a red tortoiseshell pickguard and an abalone rosette that is beautiful.

The finish is natural and shows off the beauty of the woods, while having an ultra-glossy finish. The company includes a GC Arch Top series hard case and a set of D’addario EXP16 strings, which we recommend exchanging for 010 Elixir strings.

Sound:

The sound on this guitar is completely different than on the EF360GF Glenn Frey, even though they use almost the same woods. However, the change of the fingerboard for ebony wood is something that gives more clarity and presence to the harmonics.

The spruce provides a more pronounced midrange, while the rosewood is almost neutral and merely keeps the spruce vibrations stable. Now, the mahogany makes an effort to improve the low frequencies, while the ebony fingerboard enhances the brightness and harmonics.

The preamp is the highlight of this Takamine guitar because it is the Ctp-3 Cooltube. This is nothing more than a tube preamplifier and the only one of its kind. The tubes improve the harmonic response and balance the frequencies so that there is no jumping or peaking to detract from the sound.

It has an extra gain switch, a fader for more sustain and a knob to vary all frequencies from 250 Hz to 5kHz. It incorporates two knobs: one is for adding other mid-frequency ranges and the other is for reducing feedback. It also has a built-in digital tuner and connectivity is stereo, via an RCA-type cable that may seem archaic, but is Takamine’s choice.

Conclusion:

If you are looking for a guitar that is ideal for recording studio work and gigging, then you’ve come to the right place. All of its features scream that it is excellent, beautiful and with the highest quality sound. That’s what sets this Takamine guitar apart. Find the best prices at thomann.

Finally, remember that at culturasonora we have the best reviews and buying guides for you. In them we describe the best brands of instruments in detail, guitars, flutes, guitar picks, hang, metronome, drums, etc., and we explain each of their pros and cons so that you can make the best selection.

Technical Characteristics of Takamine Guitars

MODELOS

WeightMaterialsScalePreamplifier
Takamine GD11MCE-NS2.27 kgLaminated mahogany64.8 cmTakamine TP4T
Takamine GD30CE-N3.18 kgSolid spruce, laminated mahogany, solid ovangkol64.3 cmTakamine TP4 – TD
Takamine J72CE-NAT4.1 kgSolid spruce, figured maple, laurel64.4 cmTakamine TP-40D
Takamine EF341SC4.3 kgSolid cedar, laminated maple, rosewood64.4 cmTakamine CT4B
Takamine P3DC4.7 kgSolid cedar, sapele, mahogany, rosewood64.4 cmTakamine CT4B II
Takamine EF360GF Glenn Frey4.8 kgsolid spruce, solid rosewood, mahogany64.4 cmTakamine CT4B II
Takamine P7DC4.6 kgsolid spruce, rosewood, mahogany, ebony64.4 cmTakamine CTP-3

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