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The best violins for beginners, intermediate and advanced violinists.

Beginner Level

Stentor-SR1500-Violin-Student-II-4_4-200
Stentor SR1500 Violin Student II 4/4

Intermediate level

Yamaha-V5-SC110-200
Yamaha V5 SC44 Violin 4/4

Advanced level

Yamaha-V-20-G-200
Yamaha V 20 G violin 4/4

Electric violin

Fotografía Violin electrico Yamaha YEV-104 NT
Yamaha YEV-104 NT Electric Violin

Ideal for Children

Yamaha-V5-SC110-200
Yamaha V5 SC110 Violin 1/10

Which violin to buy? Comparison of violins for beginners, intermediate and advanced levels

The violin is the king of the fretted string instruments. It is one of the most complete instruments due to its range of tonal action, its capacity to be a solo instrument and to accompany the most elaborate compositions.

No orchestra is complete without a string section composed mainly of violins. It is also very versatile: as classical as a Stradivarius violin or as modern as an electric violin. The violin is used throughout the world as the basis for many popular and traditional genres.

If you want to buy a violin but don’t know which one suits you best, don’t worry. In Culturasonora we have prepared a comparison of the best violins on the market. Our team of musicologists have been analyzing the market for a couple of weeks and have selected the best violins for beginners, intermediate and expert levels. In addition, we present you with a complete and reliable guide to make your choice even easier.

Violin classification

The violin is classified as afretted string instrument and belongs to the same family as violas, cellos, cellos and double basses, being the smallest of the four.

Brief History of the Violin

The violin was born in the 16th century, inspired by medieval European instruments such as the lute, the rabel, the bowed viola, among others. It is of Italian origin and from there its use became popular in symphony orchestras and spread throughout Europe, eventually covering the whole world.

What types of violin are there?

Generally speaking, this instrument always has the same shape, but it is classified into different types of violins according to their measurements:

  • 1/16: between 35 and 38 cm approximately. It is usually used as a violin for children between three and four years of age.
  • 1/10: its measurements range between 39 and 42 cm. It is recommended for children between the ages of four and five years old.
  • 1/8: between 43 and 46 cm. It is ideal for children between the ages of five and six.
  • 1/4: its size is between 47 and 51 cm. It is recommended for children six and seven years old.
  • 1/2: between 52 and 56 cm. It functions ideally as a violin for children between the ages of seven and eight.
  • 3/4: measures between 57 to 60 cm. If you have children between the ages of nine and eleven, then this size is ideal.
  • 4/4: it is the largest of all, with 61 cm. It is recommended for children from eleven years of age onwards, as well as for adults.

On the other hand, the correct measurement for each student is the one between his chin and the fingers of the skilled hand, without stretching it completely, but slightly flexed and at rest. It is also true that there are violin classes that fit a wider age group, such as the 1/10, which is easily adapted for children between three and five years of age. Before buying a violin, make sure it has the correct size.

Parts of the violin

There are three major parts of a violin, each with its own small parts: soundboard, neck and harmonic components.

Sounding board

  • Soundboard: The wood located in the upper part of the body and the part that most influences the final sound.
  • Bottom: This is the wood located at the bottom of the soundboard and is responsible for bouncing the sound so that it comes out through the ears of the soundboard.
  • Side covers: These are the woods on the side of the soundboard and are responsible for limiting or enclosing the sound so that it bounces off the bottom.
  • Escotadura: The curved part of the soundboard.
  • Harmonic bar: Consists of a structure and harmonic support. Its function is to give firmness to the construction and to distribute the sound.
  • Sound posts: Small pieces of wood that have the purpose of helping in the distribution of sound.
  • Ears: “F” shaped orifices through which the sound enters the box and is then projected out with greater force.

These names can be found in different literatures on the violin and expressed in multiple forms. It is recommended that the student soak up as much as possible of all these ways of calling the parts of the violin.

Mast

  • Heel: A portion of wood that joins the neck to the soundboard.
  • Handle: Popularly known as neck, it is responsible for joining the fingerboard to the body of the violin.
  • Tuning pegs or keys: Mini pulleys where the strings are twisted or tied to turn and tune the instrument.
  • Volute: Head or knob of the blade.
  • Headstock: The one in charge of containing the pegs.

Harmonic components

  • Fretboard: Small wooden strip located or attached to the neck and has the function of serving as a guide to press with the fingers and achieve the different notes of the violin. It also allows you to find the full extent of the scale.
  • Bridge: Piece of wood that serves to hold the strings of the violin in a suspended position over the soundboard, but also serves the function of keeping the strings apart from each other.
  • Tailpiece: Piece of wood or plastic resistant to caloe that serves to contain the strings of the violin at one end.

Electric violin: its importance

Along with the many technological advances, the violin was one of the instruments that found its way to evolve. Through the fusion of sound amplification technologies came the electric violin, which has almost all the common parts of an acoustic violin:

  • Mast.
  • Fretboard.
  • Base of the body.
  • Bridge.
  • Cordal.
  • Clavijero.
  • Volute.
  • Pins.
  • Active preamplification system or electric piezo.

The importance of the electric violin has to do with the possibility of bringing all the sound and expressive capabilities of the instrument to the masses of people by means of the built-in amplification system.

Stradivarius violin: the legend turned into sound

Everyone involved with the world of music knows what a Stradivarius violin is. They were built by the Italian Antonio Stradivari and are the most valued by both musicians and collectors.

About the secret of its sound, much is said, and some of the false legends are:

  • They were made from the wood of sunken ships: there is no evidence of this.
  • The maker created a special lacquer and his secret formula died with him: the lacquer of several Stradivarius was examined and is common and compatible with that used by other violins of the time.
  • The extreme winter of the time made stronger trees: manymakers of that time created violins with the same extreme winter trees, but none had the same result as Stradivari.
  • A mystical tree: it is believed that he used a special tree that he extracted from the bottom of a river. It is clearly false.

The only theory that really has any credence is the one formulated by the scientist Joseph Nagyvary, who obsessively devoted himself to studying the reason for the quality in Stradivarius violins.

Laboratory results showed that Stradivari subjected his woods to a combination of alkaline metal compounds such as sodium and boron. According to historical data, during that time in Cremona there was an intense plague of insects that damaged the trees and the only possible treatment against this plague was borax, which happens to be composed of sodium and boron.

It is very difficult to imagine that Stradivari was aware of the effect that borax would have on the sound quality of his violins. We believe that a good part of fortune, and another part of know-how, are the causes of its success.

Guarneri: a luthier like Stradivari

Another important luthier of the time who had similar sonorous results to Stradivari was Giuseppe Guarneri. This luthier also subjected his woods to a treatment against pests: brine. That is, a mixture of water with sodium and chlorine. Guarneri was the maker of the personal violin of Niccolò Paganinni, the rock star of the time.

Nowadays, most of the woods for craftsmanship and luthiery are treated with boron salts, but without obtaining the same results as Stradivari and Guarneri. Is it the divine touch of unrepeatable instruments?

What are the best violin brands today?

  • Thomann: One of the largest companies dedicated to the manufacture of violins for beginners.
  • Stentor: UK based brand specialized in high quality fretted stringed instruments.
  • Roth & Junius: One of the Thomann brands that specializes in student stringed instruments. The main difference between this firm and Thomann is that Roth & Junius is a bit more selective and specialized.
  • Yamaha: It is perhaps the most traditional and well-known company. Yamaha violins are excellent and enjoy an impressive reputation.
  • Bazzini: German company belonging to the “Connolly Music Company” specialized in orchestral instruments, mainly stringed instruments.
  • Karl Höfner: This German company has been making instruments of the highest quality since 1887 and its line of violins includes some of the best in the world.
  • Gewa: Company that initiated the distribution process from Saxony for some of its most excellent musical instruments, such as the violin.
  • Cremona: This manufacturer dates back to the time of Antonio Stradivari and had Andrea Amati as luthier, 300 years of tradition and excellence.
  • Stradivarius: They are the most outstanding, valued and expensive violins in the world. The price of a Stradivarius violin can range from thousands to millions of euros.
  • Suzuki: Japanese company dedicated to the manufacture of high quality instruments since 1953.

These are the best known violin brands and offer high quality products. In this comparison you will find the best models in terms of quality/price ratio of the violin brands.

The best violins for beginners:

  1. Thomann Classic Violinset 4/4
  2. Stentor SR1500 Violin Student II 4/4
  3. Roth & Junius Europe 4/4 Student Violin Set

The best violins for intermediates:

  1. Bazzini Violinset Studio 4/4
  2. Yamaha V5 SC44 Violin 4/4

The best violins for advanced players:

  1. Yamaha V 20 G violin 4/4

The best electric violin:

  1. Yamaha YEV-104 NT Electric Violin

The best violin for children:

The best violins for beginner musicians

We start with three proposals of violins for beginners that have won the hearts of their users, because they offer superior performance compared to their low price. We analyze the best types of violins for beginners by the sum of their positive aspects.

Thomann Classic Violinset 4/4

violin Thomann classic
Pros

Good ergonomics. It is Thomann’s best-selling proposal for students.

Cons

Plastic body. Sound with little reverb.

Technical Characteristics:

  • Woods: ebony , jujube (ziziphus jujuba).
  • Sound: acceptablesustain, little reverb, a little plastic, great volume.
  • Size: 4/4, for adolescents from twelve years old and adults.
  • Weight: 1.2 kg.

The Thomann Classic comes in a pack that has everything a student might need . But we also think it is an ideal choice for teachers who need an inexpensive instrument for their classes.

Timber:

Thomann does not specify the material used to manufacture the body, limiting itself to assuring that it is solid. However, from our point of view, it is not wood, but ABS. This choice of material to make the body may generate some skepticism because wood is always sought after in a musical instrument. However, ABS plastic is currently the most widely used material due to its high resistance to fracture and torsion.

As for the fingerboard, it is made of ebony, an excellent high-end selection. This wood has excellent hardness and sound capacity, and also creates a good visual impact. On the headstock and chinrest we find an unusual material: jujube.

This wood is used in Spain for the construction of instruments designed for traditional Spanish music. It has a great acoustic capacity and its durability is very good. While it may not offer the best sound, it is a beginner’s instrument and is an excellent value.

Ergonomics:

Although it is of the 4/4 type, the largest of all sizes, it is lightweight thanks to the ABS plastic body. This weight benefit is what a student needs to begin the process of adapting to the posture and grip of the mast.

The neck also helps a lot because it is slim and has good weight thanks to the ebony wood. This allows for a good grip and its ultra-thin design fits nicely in the palm of the hand. Microprecision tuning keys also have a good grip. They are a little hard at first due to lack of use, but when you start using them everything gets better in a few days.

On the other hand, the violin bow is made of composite, a light, cheap and low quality material. Nevertheless, it has a good grip and its weight is balanced, which facilitates basic string-rubbing posture. Overall we can rate the ergonomics an eight out of ten, which is pretty good because it comes at an excellent price.

Sound:

The sound has a good sustain, which benefits the rehearsals of the first lessons of the Suzuki method for violin, which requires sustained and well-tied notes for the first transitions. What does leave something to be desired is the reverb, which is poor. This is due to the body material, which is also responsible for the plastic and unrealistic sound of the instrument.

On the contrary, one aspect we can save is the great volume it has and the quality of the precision in the musical notes. In this sense, legato highlights the volume of this instrument, while pizzicato allows us to recognize the precision in the violin’s tuning.

However, although the sound is a bit plastic, all beginning pieces for beginners benefit from the volume and sustain . In addition, with good bowing technique the student will be able to improve the reverb and perform more complex and demanding compositions with greater richness.

The set consists of:

  • Violin 4/4.
  • Composite arch.
  • Adjustable chin strap.
  • Rosin.
  • Semi-rigid sheath.

Conclusion:

The Thomann Classic 4/4 has a good price/quality ratio and is great for this level of learning. Teachers will also find it an inexpensive instrument, with good ergonomics and an acceptable sound, considering its price and the quality of its materials. Interested? Find the best violin price at thomann.

Stentor SR1500 Violin Student II 4/4

violin Stentor
Pros

Excellent ergonomics and feel. Made of solid wood.

Cons

The woods are Type A, so their quality is not the best.

Technical Characteristics:

  • Woods: spruce, maple, ebony, cedar.
  • Sound: loud, clear, with good sustain and reverb.
  • Size: 4/4 , for youth and adults.
  • Weight: 1 .4 kg.

This model of violin for students manufactured by Stentor is characterized by using only solid woods. Users have informed us that they love it for the quality of its components, but also for the luthier’s work.

Timber:

The Stentor SR1500 has a solid spruce top. It is one of the woods that works best on fretted stringed instruments, as it provides a classical sound and appearance. E

he body is made entirely of solid maple and has slightly irregular and separated veins. This is the reason for its price, because it is type A wood for low-end instruments.

The fingerboard and headstock are made of ebony, an excellent choice for low-end instruments with a mid-range look. Ebony is very strong, has good workability and does not bend easily. Finally, the chin guard is made of hardened cedar wood. It does not provide resistance, but it does provide sonority.

Ergonomics:

Despite being an instrument for beginners, this model has a very pleasant and dynamic feel. It weighs 1.4 kg, which is to be expected for solid A-wood. The touch is what we like the most because the movement of the hand through the neck is comfortable.

The grip fits very well in the palm and is ideal for practicing fast passages and wide scale extensions. The string action of the violin allows a pleasant passage while using the legato technique. Also the weight of the bow, made of light wood, facilitates staccato phrases.

Sound:

In terms of sound, its sustain is ample and has a range that improves with long phrases. The ritardando is a blast and the reverb feels great, especially with the nuancedforte and crescendo phrases.

The volume is on par with the quality of the sustain and reverb. At times it can be explosive, which will give dynamics to the interpretation of the beginner musician. If the right technique is used, it can be sensitive to the point of approaching the feeling of Paganini’s Io ti penso amore.

Likewise, and thanks to its spruce top, this proposal provides a very baroque sound: it is light, which enrichesandantino interpretations such as Mozart’s Symphony No. 40.

The set consists of:

  • Violin 4/4.
  • Semi-rigid red sheath.
  • Wooden arch.

Conclusion:

We like several aspects of the Stentor SR1500. Its solid woods give it a high-end feel. We also like its sound because it has a certain facility for very varied musical expressions and nuances, as well as providing a baroque violin sound. We recommend it for students who wish to buy an inexpensive but quality violin. Find the best prices for beginner violins at thomann.

Roth & Junius Europe 4/4 Student Violin Set

violin Roth Junius
Pros

Good ergonomics. Quality woods. Traditional construction and classic sound.

Cons

It is a bit expensive for the range of students.

Technical Characteristics:

  • Woods: solid spruce, solid and laminated maple, ebony.
  • Sound: powerful, with great volume, good sustain and high quality reverb.
  • Size: 4/4, for adolescents and adults.
  • Weight: 1.4 kg.

This is a Thomann brand that offers us a proposal for students with a quality superior to any other in this range. All the elements that make it up make it an instrument that goes beyond the low end to be an ideal instrument for intermediate players.

Timber:

The top of the Roth & Junius Europe 4/4 is solid spruce with an AA rating, which clearly indicates that this is a mid-range instrument. How do we know it is AA spruce? The answer lies in the wood grain, which is almost straight and meets 2 mm to 3 mm apart.

The back is made of solid maple which does not provide much durability but does provide elasticity. The sides are made of laminated maple which provides a good mix of durability and elasticity. The neck is made of solid maple and has a higher resistance because it is thicker. The fingerboard is made of ebony, a wood from South Asia that is more resistant and has a more uniform grain than other maple species.

Ergonomics:

It is a light instrument with AA class woods. The 1.4 kg weight makes it an ideal instrument for beginners. Its neck is a little thinner than that of the previous proposals and is more comfortable, although the lack of wood detracts from its balance.

Likewise, the string height of the violin is very good and this makes legato phrases easy to do. Because of this ease of legato displacement, we recommend the use of the Ševčík Opus 1 guide. In it the beginner will find interesting exercises to develop ligatures.

Sound:

In this instrument we find something atypical. It is supposed to have a classical sound because of the spruce top, but we find something more dynamic and capable of producing modern violin music.

The most outstanding feature of this violin for beginners is the volume, which is not excessive, but balanced and sober. It provides delicate notes, full of harmonics and the chords sound great.

The sustain is not enveloping but warm. It has a great delicacy and allows an expressive capacity that is highly valued. It also has a nice reverb reminiscent of romanticism, mainly the compositions of Camille Saint Saëns, such as the Violin Concerto No. 3.

The set consists of:

  • Violin 4/4.
  • Semi-rigid red violin case.
  • ABS plastic arch.
  • Rosin.

Conclusion:

Thomann’s Roth and Junius has created a student violin that in many respects has mid-range characteristics. We like its woods and the ergonomics of the neck. The sound is delicate, romantic and full. We therefore recommend it for musicians of all learning levels who want a dynamic and delicate sounding approach. Find the best violin price at thomann.

Our recommendation:

We like the Stentor SR1500 for its sound power and the good details of its construction and finish. We also really like the balanced sound of the Roth & Junius Europe 4/4, because it is the clear example of how music evolved from the romantic period to the modern one. It is one of the best violins for beginners that you can find.

The best violins for intermediate musicians

Violins for intermediate level musicians must have certain characteristics that make possible a better ergonomic and sonorous performance. This is why luthiers are looking for a configuration of woods that provide the sonic nuances expected for this range of instruments. They also use elements that improve the action of the strings and add dynamics to the performance, either by improving the tailpiece or by adding specific types of strings.

Bazzini Violinset Studio 4/4

violin Bazzini
Pros

Very good quality woods. Excellent ergonomics. Great sound, mature, sober.

Cons

The price is a bit high for a mid-range product.

Technical Characteristics:

  • Woods: spruce, maple and ebony, all solid.
  • Sound: round, balanced, mature.
  • Size: 4/4.
  • Weight: 1 .44 kg.

Bazzini violins have the particularity that they are designed by Italians, assembled by Chinese and launched with strict German quality controls. The end result? Instruments of high quality materials and superior sound, thanks to all the experience accumulated by its designers and luthiers.

Timber:

The Bazzini Violinset Studio 4/4 is made with Class AA solid spruce for the soundboard, providing the most baroque sound possible for a fretted string musical instrument. We also find solid maple on the sides and back for a traditional instrument.

In addition, the fingerboard and pegs are made of ebony. The bridge, by Teller, is made of AAA+ Bosnian maple, the best quality you can expect. If we dig a little further on the Teller page, we see that the bridge is from the Joseph Teller 1891 series, therefore, it has a drying time of at least ten years, and the same is true for the other woods. This time is impressive because in addition to having the maximum hardness that wood can provide, it also offers the maximum sound capacity.

The Wittner Tuning Tailpiece, which facilitates the tuning of the violin, is made of composite with an ultra-light alloy of fiberglass, carbon fiber and aluminum. This is an instrument made with woods that may well be high-end.

Ergonomics:

Despite the fact that all parts of the violin are made of solid wood, the Bazzini 4/4 weighs only 1.44 kg. This is due to the ultra-lightweight design of the bridge and tailpiece, which leave all the weight responsibility on the body woods.

Consequently, it is very easy to pick up and the ergonomics of the neck make it fit like few others in the palm of the hand. Moving up the mast will never be a problem, which leaves the responsibility on the performer’s technique. On the other hand, the carbon fiber bow becomes very light, which facilitates control overstaccatos, as well as other techniques.

Sound:

It’s great. The sustain is just right, while the reverb remains balanced and reminds us of Shlomo Mintz’s playing. The sobriety of the sound is evident in the stability of the rubatos, as in most violins the reverb tends to get out of control.

In the trill, the maturity of the sound is also maintained because the sustain, although sustained, remains only as long as necessary. Nothing in this proposal overflows and that is something that every musician appreciates.

The set consists of:

  • Violin 4/4.
  • Tailpiece with Wittner tuning tones.
  • Teller Bridge.
  • Includes carbon arc.
  • Semi-rigid case.
  • Thomastik Vision Stringing

Conclusion:

Finally, we can say that the Bazzini Studio does not look like a studio instrument, but a high-end one. Its woods are excellent and elements such as the tailpiece and bridge are a delight. It is a proposal that belongs to the advanced level or, at least, it is a transition to the professional level. Interested? Find the best violin price at thomann.

Yamaha V5 SC44 Violin 4/4

violin Yamaha SC44
Pros

Handmade soundboard. The sound has an enormous warmth.

Cons

It is heavy. Ergonomics are not the best.

Technical Characteristics:

  • Woods: solid spruce, maple, ebony.
  • Sound: dark, melancholic, romantic.
  • Size: 4/4.
  • Weight: 3 kg.

Yamaha has always been one of our favorite manufacturers for having great sound and build quality. The V5 SC44 is the warmest and loudest of all those we have heard.

Timber:

The Yamaha V5 SC44 violin is made of solid woods with a spruce top and spruce sides. The back is maple and the fingerboard is ebony, as are the headstock and chinrest. These woods are class AA and have a natural drying time of not less than five years. Yamaha reserves this type of materials for the best quality instruments and that is why we are surprised by the price of this proposal.

Another big difference is that the soundboard was handcrafted. This manual work is the most valued because the finishes have a greater detail and care. In addition, the wooden chin guard and wooden pegs create a great visual impact.

On the other hand, the tailpiece and tuning machines are made by Wittner. They have a carbon fiber, fiberglass and aluminum alloy design for maximum durability and sound performance.

Ergonomics:

In terms of ergonomics, it is not the lightest instrument of its type. It weighs 3 kg, which is quite a lot for a relatively small instrument. In addition, the mast design is standard, so it does not have a significant improvement in grip.

However, as we are talking about an instrument for mid-range musicians, string height is not a problem. It performs well for fast phrases and the performance of arpeggios feels very pleasant. The bow is nothing special because it is typical ABS with a wooden look, but users have reported that it has good balance.

All in all, the feel and grip is quite common for intermediate level proposals. This should not be a problem for experienced musicians.

Sound:

Traditionally, the spruce top provides a very baroque sound, as it has a tendency towards high frequencies. However, the most commonly used wood in this proposal is maple, which has a response of 8 dB in the bass, 4.9 dB for the mids and 5.1 dB for the treble, approximately

This sonorous tendency of the woods makes its response more inclined towards the bass and mids, but with a good transition in the treble. Therefore, the tone is warm, delicate and fits very well with the sound of the composers of the romantic period.

The versatility is very good and you can play pieces by classical composers such as Mozart. However, pieces such as Serenade and Ave Maria by Franz Schubert suit it much better and this is the style that should be sought after with the Yamaha V5 SC44. Perhaps the compositions that best do it justice are the violin concertos of Saint Saëns and the like, as these demand a clean but dynamic and sensitive sound.

The set consists of:

  • Violin 4/4.
  • Tailpiece with Wittner tuning tones.
  • Yamaha custom bridge.
  • Carbon fiber bow.
  • Semi-rigid sheath.
  • Daddario Prelude strings.

Conclusion:

The Yamaha V5 SC44 is one of our favorites for several reasons: the configuration of its woods is excellent, the decision to use wood in almost all parts is a great success and, finally, the sound seems to us the most versatile in this range.

It is not a Stradivarius violin but it certainly does the job. We recommend it for all levels of learning, because its price/quality ratio is excellent. Find the best violin good price at thomann.

Our recommendation:

Among the proposals for intermediate musicians we have excellent proposals, but our favorite is the Yamaha V5 SC44. In this model we find the three elements that a good instrument should have: quality woods, optimal configuration of materials and a dynamic sound. It is one of the best value for money violins on the market.

The best violin for advanced musicians

In the category of instruments for advanced musicians there is usually a certain prejudice and only violins with prices over 2,000 euros are considered as high end. However, when we find proposals such as the Yamaha V 20 G, this prejudice quickly falls away.

It is therefore the only proposal we have selected for professionals, as it probably has the best quality/price ratio in this market segment. If you are a professional and you are interested in the price of a good violin, you need to know the following model.

Yamaha V 20 G violin 4/4

violion Yamaha V20
Pros

Wood of the best quality. Very good ergonomics. Exquisite construction and exceptional sound.

Cons

It’s expensive, but it’s worth it.

Technical Characteristics:

  • Woods: spruce, ebony, toasted and flamed maple, boxwood. All woods are AAA class and one of them is AAA+ exotic.
  • Sound: the most dynamic and versatile in this price range.
  • Size: 4/4.
  • Weight: 3 kg.

We have reached the top of the range and the best proposal that can be found in this price range. The Yamaha V20 G is one of those instruments that every musician should have in their collection, because it offers a great source of sound resources that bring impressive nuances that get better every day.

Timber:

This instrument is made with AAA class woods for the spruce and ebony soundboard. This is the highest classification within the wood types because they have a drying time of more than ten years. Consequently, both durability and sound quality are the best.

The back is flamed and toasted AAA maple. This means that the aging of the wood can be more than twenty years and provides a durability similar to that of violins more than a century old. The sound quality is close to that of the Guarneri del Gesu and improves with age.

Another material used in the violin parts is exotic boxwood (buxus sempervirens) for the chinrest and tailpiece. It is classified as AAA+ and its use dates back to the times of Stradivari and Guarneri.

In addition to having the best types and kinds of woods, this Yamaha was made entirely by hand and under the still surviving techniques of the luthier Guarneri del Gesu. This is not to be taken lightly because this is old-fashioned workmanship and under the standards of the only luthier who has ever lived up to Stradivari.

Ergonomics:

The Yamaha V 20 G offers perfect ergonomics and has a professional feel. The neck is ultra slim and features rounded “D” edges for better travel. Despite weighing three kilograms, it has a great balance between the neck and the body, which facilitates grip and posture.

The action of the strings makes possible the execution of legatos with a high level of comfort and facilitates the interpretation of pieces such as the Caprice 5, while arpeggios and chords feel quite good. All in all, on the ergonomic side, this model meets the highest requirements of the most complex compositions you can find in chamber music.

Sound:

The sound of this violin is classic thanks to the configuration of its woods. Spruce provides a high-frequency performance of about 10 dB, while ebony has a performance of about 10 dB in the low frequencies, 8 dB in the mids and 6 dB in the high frequencies. We also have the maple, with a tendency towards the bass close to 8 dB, -5 dB in the mids and +5 dB in the treble.

The relationship between spruce, ebony and maple results in a warm and beautiful sound. It has a balanced sustain, a good reverb and each musical note is rich in harmonics. The flamed maple also greatly improves overtone response.

Finally, the AAA+ boxwood of this Yahama was widely used by Stradivari and Guarneri. This material finishes decorating the harmonics in up to three sound waves so that the final result is sublime.

Conclusion:

This is one of the best offerings in this price range and represents Yamaha’s quality and musical tradition. Its woods are of excellent quality and its sound is the most versatile of all. It is unfortunate that it does not include a bow or holster, but it is still worth every euro. We recommend it as a dream instrument that every professional musician needs in their collection. Find the best price for thomann at this link.

What is the best electric violin?

An electric violin offers some advantages over an acoustic one. They are more versatile, lighter, can be perfectly adapted to the addition of effects and other features that make them the preferred choice for contemporary music: rock, pop, electronic and others. However, they generally do not have the same warm sound as a traditional one and therefore may not be the best for performing classical pieces. For this reason we have selected a versatile and capable proposal in all musical genres.

Yamaha YEV-104 NT Electric Violin

violin electrico Yamaha
Pros

Good sound. Beautiful design in the key of the sun.

Cons

The shoulder support does not stay in place and tends to come loose.

Technical Characteristics:

  • Woods: spruce, mahogany, maple, walnut.
  • Sound: modern and with excellent gain.
  • Size: 4/4
  • Weight: 560 g.

The Yamaha YEV-104 NT electric violin belongs to one of the most valued series by users and professionals. It has many exceptional features and is a delight to look at and feel.

Timber:

The first thing that stands out on this Yamaha electric violin is the beautifully curved edges. It is made of walnut wood, whose density, durability and resistance to torsion is almost identical to mahogany, but with a better sound performance because of its greater elasticity.

The body is a wooden bar that runs through the instrument and is made of three types of wood: three-ply spruce, mahogany and maple. As we have already mentioned, spruce is one of the woods with the lowest strength and durability. Consequently, mahogany and maple are used to reinforce and also to improve the sound nuances.

The neck and bridge are made of maple, while the pegs, chinrest and fingerboard are made of ebony. These details provide the greatest sonority that an electric violin in this range can have. Finally, the tailpiece made of synthetic resin is excellent and has micro tuners.

Ergonomics:

This is one of the lightest instruments of its kind available on the market, weighing only 560 g. Almost all the weight is on the body and the mast is the lightest part, which produces a significant imbalance.

The imbalance in weight is compensated by the ergonomics of the neck, which has an ultra-slim “D” design. As a result, the grip is firm, while the scales are comfortable and dynamic to move around.

Thestring action is a bit loud, but this is an instrument for intermediate to professional players, so it should not be a problem.

Sound:

Spruce is the only wood that reproduces the most baroque sound in these instruments. But on the Yamaha YEV-104 NT this does not happen because it is not a harmonic top. Instead there is only a bar made of three types of wood. This combination results in a very bright sound with little weight in the low frequencies, although it is saved by the great result in the transition from bass to midrange, which is almost imperceptible.

Walnut wood and edge design add further gain in sound response. These elements capture the sound and project it in an enveloping way towards the center of the instrument in the form of a loop so that the production of the notes is constant.

Consequently, the sound of the woods is a bit warm but not as warm as we would like. It is also enveloping but does not have a great sustain and only the reverb stands out , which can be a little hoarse at times. Now, it incorporates a system from the SV-250 series: a microphone consisting of a power button and a volume knob.

As for its sonic response, the SV-250 has a large 9 ohm output and projects with great fidelity the natural sound of these instruments. This can be interpreted as a weakness, because the sonic nuances are not the richest we can find. Although the harmonics do stand out, a great point in its favor.

Conclusion:

Although it is an instrument with few sonorous nuances, this is very common in these instruments. So we are not surprised and within this intermediate range is the best you can find. We recommend it for musicians of all learning levels who want to buy an electric violin for an affordable price. Find the best price at thomann.

What is the best violin for children?

Yamaha V5 SC110 Violin 1/10

violin Yamaha SC110
Pros

Good quality construction and wood. Soft touch, ideal for children.

Cons

The small size detracts from the sound quality.

Technical Characteristics:

  • Woods: spruce, maple, ebony.
  • Sound: round, with good reverb, but the sustain is a bit poor due to its small size.
  • Measurement: 1/10.
  • Weight: 1.2 kg.

The Yamaha V5 SC110 is one of the few children’s instruments that does not have a lower quality of materials. On the other hand, the combination of its woods is comparable to any proposal for adults and that is why we like it so much.

Timber:

Despite being a violin for children, Yamaha has not skimped on its materials and offers an instrument made of solid wood. The top is spruce, the back is AA maple and the fingerboard, headstock and chinrest are made of ebony. A noteworthy element is that the soundboard was carved by hand, which guarantees greater attention to detail and quality in the wood grain.

Due to the small size of the instrument, the range for twisting and fracturing is reduced. Therefore, it has greater durability and shock resistance capacity. However, its small size also limits the sound capacity.

The tuning fork is not made of wood but it is of high quality, with a Wittner tailpiece of ultra-light and very durable manufacture thanks to the combination of synthetic polymers with high resistance.

Ergonomics:

Although it has a very small size, it weighs 1.2 kg and can be a bit cumbersome to carry. The neck features a slim “D” design, with filed edges to facilitate the grip and improve the dynamics of the scales through it.

Smaller size means more tension on the strings. However, the Yamaha V5 SC110 has a great ratio that makes a gentle and comfortable feel for children possible.

Generally speaking, we can say that it is very well adapted to the touch of a child with developed motor skills between the ages of three and five.

Sound:

The tuning is fast and the key mechanics allow precise movements. In addition, the Wittner violin micro tuner does a great job of making it easier for children to develop their musical ear.

The reduced size of the soundboard limits many sonorous elements such as sustain. This component is poor for what an instrument of this type should have and this also detracts from the dynamics.

We must recognize that it has a good reverb and that hoarse sound of the staccatos that many masters like so much, but to the detriment of harmonics that nuance the interpretation. This is due to the reduction in size, but not to the quality of the construction and woods used. So we should not blame Yamaha for the shortcomings in sound.

The set consists of:

  • Violin 1/10.
  • Tailpiece with Wittner tuning tones.
  • Yamaha bridge.
  • Carbon fiber bow.
  • Semi-rigid sheath.
  • Daddario Prelude strings.

Conclusion:

Yamaha has put a lot of effort into overcoming the problems involved in building an instrument for children. In several respects it has emerged victorious, while in others it continues to be heavily in debt. Still, this is the best children’s violin you can find on the market and that is why we recommend it. Take advantage of the best prices at thomann.

Remember that in culturasonora we make the best reviews of all your favorite musical instruments. You can also find the best buying guides on the web.

Technical Characteristics of Violins

MODELS

WeightMeasureMaterialsSound
Thomann Classic Violinset 4/41.2 kg4/4Ébano (Diospyros crassiflora), jujube (Ziziphus jujuba)Sustain acceptable, little reverb, a bit plastic, big volume
Stentor SR1500 Violin Student II 4/41.4 kg4/4Spruce, maple, ebony, cedarLoud, clear, with good sustain and reverb.
Roth & Junius Europe 4/4 Student Violin Set1.4 kg4/4Solid spruce, solid and laminated maple, ebony.Powerful, with great volume, good sustain and high-quality reverb.
Bazzini Violinset Studio 4/41.44 kg4/4Solid spruce, maple and ebony, all solidRound, balanced, mature
Yamaha V5 SC44 Violín 4/43 kg4/4Solid spruce, maple, ebonyDark, melancholic, romantic
Yamaha V 20 G violín 4/43 kg4/4Spruce, ebony, toasted and flamed maple, boxwoodMost dynamic and versatile in this price range
Yamaha YEV-104 NT Electric Violin560 g4/4Spruce, mahogany, maple, walnutModern and with excellent profitability
Yamaha V5 SC110 Violín 1/101.2 kg1/10Spruce, maple, ebonyRound, but the sustain is a bit poor due to its size.

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